Mahler: 2nd symphony (London Philharmonic)
*****
Longer than any performance on record except Otto Klemperer’s last gasp, this live Royal Festival Hall recording from February 1989 is a legend to the 3,000 of us who were there and even more so to many who weren’t. Klaus Tennstedt, the most sensitive and impulsive of conductors, opened the Resurrection at a tempo of such stubborn deliberation that it seemed the second coming would never come.
Genuine prodigies might be rare, but in the classical music world sights are always acutely set on finding them. Inspired by the likes of Mozart and Co., the notion of unnatural genius – being born knowing something mere mortals need to learn – remains a source of fascination and envy. And fortunately every so often one of them turns up in the flesh, seeming to prove the certainty of the highly unlikely.
Dilettante is pleased to announce that our Founder and Managing Director Juliana Farha has been named one of the 50 ‘Women to
With the Oscars just around the corner our thoughts have quite naturally turned to music in movies, from soundtracks and film scores to classical music in film.
We were pleased to hear that the venerable US-based Interlochen Arts Academy will be broadcasting a live stream of their upcoming choral concert this Friday, February 12, at 7:30 p.m. EST.